Summoning The Monkey God / End Credits

by The Sorcerers

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FS a.k.a. Slap Yourself a.k.a. Kill Gatez thumbnail

FS a.k.a. Slap Yourself a.k.a. Kill Gatez AWESOME !! BIG CINEMA !!
Favorite track: Summoning The Monkey God (45 edit).

Solo Gas Recordz So freshhh, so dopeee! ;)

Bob Hill Illicit Grooves I love the Mod-Jazz feel of this and I love how it also sounds of the 'now'. A pair of tracks perfect for the dancefloor and both have been playlisted already on The Illicit Grooves Radio Show

DJ Kobayashi The Sorceres never let me down!
This been on my best of 2019 list!
www.mixcloud.com/NetilRadio/b-side-sessions-wdj-kobayashi-best-releases-of-2019-8th-january-2020/ Favorite track: Summoning The Monkey God (45 edit).

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of In Search Of The Lost City Of The Monkey God, Summoning The Monkey God / End Credits, The Sorcerers, and In Pursuit Of Shai Hulud/The Anderson Spectrum. , and , .

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Limited Edition 7" Vinyl
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Black vinyl dinked 45. Limited quantities. 1st 100 are hand-numbered.

Includes unlimited streaming of Summoning The Monkey God / End Credits via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Summoning The Monkey God (45 edit) 03:19	buy track
2.	End Credits 01:45	buy track
3.	End Credits (Alternate Take) 01:46	buy track

about

Taken from the upcoming LP 'In Search of The Lost City of The Monkey God', 'Summoning The Monkey God' covers a wide range of influences: Ethiopiques Ethio-Jazz rubs up against European library music of the 60s and 70s. The Sorcerers seamlessly blend these disparate elements into one cohesive sound. Based in ATA Records' home of Leeds, The Sorcerers form the backbone of the ATA Records house band including drummer Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra) and ATA label heads Neil Innes (Bass & Guitar) and Pete Williams (Woodwinds & Percussion). Bass clarinets, flutes, and esoteric percussion that sit alongside bass, guitar and drums are essential to The Sorcerers sound providing cinematic textures on top of a solid rhythmic foundation.

'Summoning the Monkey God' is an edit of a track from their forthcoming 2nd LP. Hypnotic bass and ominous vibraphone set the stage for creeping guitar and menacing drums. Flutes and Bass Clarinet push through the undergrowth with the tracks main theme before disappearing back into the shadows of the jungle.

The b-side 'End Credits' is also taken from the album alongside an exclusive 45 only version 'End Credits (Alternate Version)'. Both b-sides feature Flautist Chip Wickham ('Sombra' & 'Shamal Wind' - Lovemonk Records). 'End Credits' conjures up images of Isaac Hayes and 70s exploitation soundtracks, with the alternate version spilling over with Chip Wickhams trademark flute fire alongside wah wah guitar and furious drums.

credits

released November 29, 2019

Neil Innes - Bass & Guitar*
Pete Williams - Percussion, Flute* & Bass Clarinet
Joost Hendrickx - Drums
Chris Dawkins - Guitar+
Richard Ormrod - Vibraphone

Special Guest - Chip Wickham plays lead flute on 'End Credits' & 'End Credits (Alternate Take)

*Summoning The Monkey God
+ End Credits

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about

The Sorcerers Leeds, UK

Formed by multi-instrumentalist Pete Williams, bassist /guitarist Neil Innes and Drummer Joost Hendrickx. The band was conceived after writing and producing some Ethio inspired music intended for release as a 7" single. The music garnered such a popular response that they developed the sound further before recording the debut album. ... more

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